Arabesque by Barbara Ann Fackler 3-5 or more lever or pedal harps sample page
    harp I uses only root position triads, harps II and II play arpeggios that may be placed in groups of three (but not always root position), harp IV plays melody in octaves (LH playing one octave lower than RH) with only quarter notes and half notes. Harp V combines parts II and III for more advanced players, some fingerings given, rehearsal notes included  key of C, no accidentals  zip archive is 284 KB

Dagger Dance from Natoma  (Victor Herbert, 1911): 2 or more lever or pedal harps
       beginner level,  5ths in harp II, hands playing in octaves with each other in harp I. This is always a crowd pleaser especially with age groups that remember this from the days when Victor Herbert's music was very popular. key of d minor (one flat) zip archive is 224 KB

Harpsichore (harp-sik-uh-ree)  2  lever or pedal harps  sample
       This suite of four Renaissance dance tunes were the social dances for the royals of their day. These delightful and pleasant tunes are great recital pieces and leave the listener humming.  Tunes included are Argreers, Nonsuch and The Wish from John Playford's Dancing Master and La Canarie from Michael Praetorius' Terpsichore. Two leisurely lever shifts in harp I during Nonsuch.  keys of C major and G major PDF file is  732 KB

The Queen's Marsh (Welsh): 2-4 or more harps, 22 string harps (C-C) or larger   sample page
       Parts may be used in any combination as along as a melody part and an accompaniment part are included and may be doubled at will. harps I and II can stand alone as solo parts, harp III adds some scale passages and arpeggios(all as root position triads), harp IV uses only root position triads, LH octaves can be simplified by omitting bottom note, harp III becomes accompaniment for a flute and harp version(included)  key of a minor (all natural), no accidentals  zip archive is 456 KB 

Solitude by Barbara Ann Fackler 3 or more lever or pedal harps     sample page
    This is gentle, introspective waltz began as a study in rhythm. Harp III sets the foundation with a steady, waltz accompaniment while harps I and II add melodies that dove tail with each other, often beginning on a weak beat. This was used in a workshop for the Mystic Strings Harp Circle that focused on sightreading and steady rhythm and the difficulty reflects the need for music accessible to nearly any level of ability and small harps of 22 strings. Less advanced players played only part of harp III. key of b minor (two sharps), no accidentals  zip archive is 240 KB

Sacred Music for Harp Ensemble

Fairest Lord Jesus (harp circle version) 2-5 or more harps (arranged at the request of Ron Price for an early meeting of Healing Harps that included a stroke victim with use of only one hand)  sample
     Parts may be used in any combination as along as a melody part and an accompaniment part are included. Harp VI plays broken chords, harp III had three note block chords, usually in root position, harp I is written in treble clef and is playable with one hand and harp IV may stand alone as a solo offering many performance options. key of G (one sharp), no accidentals  zip archive is 488 KB

Fairest Lord Jesus (harp duo version) 2 harps, if more harps are used, parts should be evenly divided 
    This is a simplified version of the setting found in The Sacred Lever Harp. These parts are not compatible with the version in that book. The second harp part that belongs with the intermediate level version may be downloaded from The Sacred Lever Harp page.   key of G (one sharp), no accidentals  zip archive is 288 KB

Savior, Like a Shepherd Lead Us 2 or more harps, parts should be evenly divided sample
    Harp I may function as an easy solo. Optional harmonics are included in both parts with mostly thirds and root position triads (both blocked chords and broken chords) and crossing over of hands in both parts. Harp II includes some chords that are not root position.   key of D (two sharps), no accidentals  zip archive is 208 KB

Two Christmas Carols: (sold as a set only)
We Three Kings 2 or more harps 22 string harps (C-C) or larger  sample page
        harp II includes tapping on the sound board, no 4 note chords, no notes smaller than eighth notes, key of e (one sharp) minor, both parts are fairly easy, less advanced players can play either only RH or LH, full score and parts, approximately 2 min.  zip archive is 172 KB
Il est né le divin enfant 2  harps  sample
        harp II is easier than harp I, however both harps take a turn with the melody, easy to intermediate level, includes three variations on the melody, long enough for prelude or postlude. key of G (one sharp)    zip archive is 168 KB

Two Carols for Christmas (sold as a set only)
Silent Night 2-3 or more harps
        harp I functions as a solo as well, harp I includes use of thirds and sixths, harp II (for more advanced students) includes scale passages and arpeggiated root position triads, harp III has no intervals larger than a third. This may be performed with any two of the three parts.  key of C, no accidentals, approximately 2 min.  easily adapted for small harps,  zip archive is 160 KB
Three Christmas Lullabies 2 harps
        The three lullabies included are: Chtic, Aby Spal, Tak Zpívala  (Sweet Mary Sings Her Babe to Sleep): Czech (key of G); Christ Child's Lullaby (Taladh Chriosta): North Hebrides, a Marion lullaby  often used for Christmas Eve Midnight Mass (mixolydian mode); Wiegenlied Der Hirten (Shepherd's Cradle Song): Glatz Folk Song: C.D. Schubart 1791 (key of G).  This setting is an ensemble version of the harp solo available with the tutorial on lead sheets.   This harp duo version does NOT include a part that stands alone as a solo. key signature: one sharp, no accidentals,   zip archive is 228 KB